This is the kind of contemporary dancing incorporating crippling athletic skills, that any professional dancing student would dream of achieving. Magnificent. Clever story theme, perfectly executed.

with Gordon the Optom
This is the kind of contemporary dancing incorporating crippling athletic skills, that any professional dancing student would dream of achieving. Magnificent. Clever story theme, perfectly executed.
Even though this was the show’s preview, producer Kathryn Osborne can probably sit back as, within hours, I am sure every ticket will be sold out. Another International award winning show. Pure genius, such talent in so many areas leaves one speechless.
A very funny, sexy show, with a down to earth portrayal of lower life in Edinburgh, all delivered with an enormous amount of energy and talent. Many congratulations.
As someone who enjoys a waltz around the dance floor for a couple of tunes – then a rest – to watch 60-minutes of such skill, timing and exhausting perfection these human dynamos had my full admiration. The audience left absolutely drained.
The play had a slightly slow start, but the characterisation was well developed by the cast. The director, Joan Scafe, subtly increased the pace as the play progressed, and controlled the complexity of the script very well. There are plenty of laughs and gasps at some of George’s politically incorrect comments.
‘The Keys to the Animal Room’ is a powerful adult drama, crafted by Melbourne based lecturer, author and playwright, Peta
‘Veneer’ is the latest production from The Strawboat Collective; a Fremantle based group that is committed to making theatre accessible
This is a must see, but don’t go after a tiring day, if you give this play’s lengthy script and its fully charged cast the complete and constant attention they deserve, time will fly and you will be amply rewarded.
This is theatre at its most enchanting – total magic. At a sensible price, don’t miss it.
A stunning, gripping play wonderfully produced.